«Belgorod Musicfest — Borislav Strulev and Friends» is a very important part of my life. I created it in order to introduce Russian audiences to talented and famous musicians from all over the world. Most of them are my colleagues and friends, people who I shared the stage with on many occasions. I am glad to give the audience a chance to hear and see them. We also invite local groups. This is a way for the local musicians to have a chance to play with world celebrities while helping to close the gap between cultures. We use «CROSSOVER» which means a mixture of several musical genres. For example, last time my friend Matt Herskowitz, a Canadian composer and pianist virtuoso composed and played one piece of music in every musical style and gave a master class for the local piano players. The Festival presented the Russian premiere of «ROCK CONCERTO» of Alexander Markov, often referred to as the Paganini of the XXI century. I respect and appreciate him as a musician. I have dreamed about bringing him to Russia for a tour for a very long time. Markov played his «Rock Concerto» at Carnegie Hall, at huge stadiums, for various audiences and suddenly he appears at my festival in Belgorod and is as brilliant as ever. The festival is two years old and Belgorod is certainly the best place for it. This is a wonderful place with people who respect themselves, love and take a good care of their city. The new philharmonic hall of surprising beauty was constructed over there recently. Some people are already creating beautiful names for this hall, «Cleopatra’s Earrings» for example…
After two seasons of the festival, our audience already knows that if they come to our concerts they would receive positive energy for a long time to come, they would find new meaning in music, they would feel it’s magical inspiring impact on their mind! I know the feeling and I am always trying to surprise the public. I would really love for the people to come to Belgorod and be part of our festival. It happens in March. You can go to our website: http://belgorodmusicfest.com to specify dates, to look through the program or to get a feeling of what the festival is like. There is a «Guest» section where one can ask questions and leave suggestions. Do not to hesitate to do so. The most important thing is that you visit Belgorod. You will be able to enjoy the music, explore the city with a rich history and communicate with musicians and learn something new. Believe me, it is worth getting on a train or a plane for this event! Come … And, of course, I would like to express huge gratitude to E. S. Savchenko, the governor of the Belgorod region for his extensive support to our project.
I do not want to stop there. I would like to hold my friends’ art exhibitions in the philharmonic hall lobby and have them give master classes as well. Another idea is to invite chefs who love music and have food tastings at a restaurant near by. I saw this done at other festivals. Why not adopt this experience in Belgorod?
We are very glad that we were singled out for this. I can tell that foreign musicians who participate at Belgorod are very proud of this choice. I cannot comment on the program at the moment because it has not been approved yet.
Any! Just specify the direction! From classical to jazz, or any other style, or especially composed by my friends for this specific event. By the way, the Olympic anthem is already written, thanks to my friend «the Russian Vangelis» Vadim Pitsunov . You know, special music is able to inspire our Olympians to victories. It is just like an energy drink but only in a musical format! Therefore we are ready for the Olympic Games!!!
Certainly, music changes under the influence of time. In my case, times changed and with them changed the possibilities for a cello to show it’s best in various musical styles. I am the first person to play jazz on a cello, to take part in theatrical projects, to work with pop performers, to merge cello sound with electronic music. I also have some a-vanguard projects, one of which is completely unique in the world of music. It is my project with the Irkutsk church bell ringer and the composer-drummer living in the Siberian forest, a very respected person in England, by the way. Our collaboration led us to create a modern ballet on the basis of Bach’s «Sarabands». There is modern art for you! I hope to present it to the world audience. I would like to surprise the critics.
Quite recently I participated in another mass project — gala show «Marc Chagall», which happened in the artist’s hometown Vitebsk. Thanks to the director Sergey Tsvetkov who believed in me and my music, I was able to choose my own program to create the music for the whole show to keep it together. I appeared on a huge stage with a crowd of two hundred people — circus performers, ballet dancers and stuntmen. The hall of six thousand spectators listened to our music and was able to identify with the story of the great artist. I had a tremendous feeling of purpose, that I do not live for nothing, that my whole life which I devoted to music, is also not in vain. Nobody can ever say that cello is not a new and independent format ever again. It is indeed! A format indeed!
I treat criticism very kindly, I give it a go! The criticism should help to stir the performer’s creativity, but for some reason all that the people remember is negative criticism, nobody remembers positive remarks. Many great works were criticized severely when they first appeared criticism and seemed doomed as a result, but after some time they were revived and are now considered masterpieces in the music world. And where are the critics? Gone… In Russia the majority of critical articles are written by journalists just stating their personal opinion. I believe a good critic is a person with a great deal of knowledge and impressions so that he/she has something to base their opinion on, not just say «I was there and I didn’t like it!» It seems to me that criticism plays a tremendous role in the creativity. I dream of opening an influential western magazine about music one day to find a review on a CD or a concert written by a Russian critic.
I think that it is inspiration. It’s real happiness to feel the creative euphoria and to be able to transfer it to the public. To be able to derive pleasure from music!!! To learn to produce not only «naked unemotional» notes or a set of sounds but to to the essence of the piece emotionally. I will never forget the words of the genius conductor Neema Yarvi with whom I played «Rococo variations»by P. I. Tchaikovsky in Cologne. Before the performance he told me: «We are so lucky that we have the opportunity to live our life through music, on the scene, for the sake of the people».
I think that it is inevitable. Take Bach’s violoncello suites … They were considered as simple etudes for a violoncello, but there came Pablo Casals who revealed the depth of this cosmic solo with his interpretations and now it is the most important musical language in solo repertoire. As they say — play Bach to me and I will tell you who you are!
Yes, It is one of the most important components of my life.
I am member of the board of trustees of the «Nastenka» Fund (http://www.nastenka.ru). It is a Fund — charitable foundation that helps children with cancer.
Soon, I will present my new music program together with the “Nastenka” fund. I would like the people to think and realize that this is our common big trouble. In my opinion if we do not think about charitable activity we as a social group might turn out to be without future.
I also remember that together with my friend Vlad Malenko an actor from Taganka theatre, we visited the city of Tagil with our play our show” BasniCello”. It happened so that we were asked to help hold stage a beauty contest for girls with disabilities. This moment will remain forever in my heart.
On another occasion in my childhood memories I will never forget how we children flew on helicopters under the title of the foundation “ The New Names” with the former ministers of Defense P.S. Grachev and B.M. Shaposhnikov. We played for our military units in East Germany when the soviet troops were ready to withdraw. The piano’s which was used for this performances did not have some black key notes. It was fun for poor pianist to try to play along.
In my opinion, such “injections” will stay always in the life of every musician.
I do not know how it is happening now in the world of music. In every family there are their own family principles, traditions and resources. In my case when I was growing it was an insanely complicated time. I am from the family of musicians and my beloved grandmother bought me my first cello and a bow. She always waited for me outside the classroom where I was having my cello classes and after my lessons she used to give me a warm cup of sweet coffee or hot dog and then we went home hand in hand together.
Later on when my creative path in life was defined. My mother had changed her life radically. She is an outstanding vocal coach and pianist. She used to play to the whole cello class and she also accompanied me at all recitals in all my tours.
The financial component in the life of my family was not simple at that time. My father took the responsibility of fully providing for the family.
My father was a singer in the Moscow State Chamber Choir/Vladimir Minin and he went on tours around the world. He used to bring VCR’s and shearling coats, cordless telephones and cars. These goods were popular in Soviet Union and therefore were sold for profit. All of the perfume and went for my private tutoring, presents, etc. and also fed our family in difficult times.
Even after my student’s years my mother continued to accompany me at all concerts. We went to the stage as a duet and that holds a very deep and profound memory in my heart.
When I was playing on various stages around the world with my beloved mother I felt the utmost profound happiness. In such moments I was the happiest man in the world. Very few people could give me a better accompaniment or help me in my tours than my mother. On stage my mother was a musician and a friend and that all brought such incredibly deep sounds coming from my soul which were expressed through music. It was the most sincere and profound feeling coming from my soul.
I think that in our contemporary russian society there are parents who can give up everything for the sake of developing their child’s talent.
I understand what you are talking about but there is a catch here. When a young musician receives appreciation and praise from the public then “ a button” a nickname for a cute talented child will melt with pride. He or she will feel very important and outstanding. But when a young musician turns sixteen and has not achieved more perception and maturity then the picture drastically changes. Therefore the most important task is to create an artist and not a virtuoso.
Today’s situation is very complicated. If we do not obtain financial support or guardianship than chances for it happening are very slim. If the family can give something extra to their child than they must do it. If it cannot be done than do not spoil your child’s life or at least one’s childhood.
Presently a decent string instrument — cello, costs from thousands and up to millions. It is clear right away that it will not be a simple matter to bring up a musician. Before musical instruments were given as a gift because it was clear to everyone that not every musician can afford to buy such an instrument. Now such patrons of the arts have disappeared and everything drastically changed for the worse.
Yes, that correctly describes my situation.
It seems that the goal for every artist is to be known and loved for his/her talent and it is of no importance where he/ or she is currently residing.
I was born in Moscow and till 1993 studied and toured much around Russia. Then I studied at the Manhattan Conservatory in New York by invitation of Marta Casals Istomin and worked at ICM Artist by invitation of Isaac Stern and Byron Janis in the United States. Twelve years have gone by and I once again came to my motherland to Russia. Much has changed since that time in Russia.
Now I often fly to Russia. If I can say so I belong to two countries because now my mother lives in the United States and my father lives in Russia. So I fly and fly and fly.
There are projects everywhere far and wide. My task is to unite them and present american projects in Russia and russian ones in the United States. Well this is my wish in the very least. I am musical »bridge» !!!
A great man, great actor, friend of Vladimir Vysotsky — the late Valery Sergeevich Zolotukhin supported this project whole heartedly. Then I got acquainted with an actor Vlad Malenko. He showed me what he is doing and we got together and created a project. “Basni” ( translated — fables) are presented by Vladimir Malenko and the cello is a cello in english and I play the cello.
First we chose ten fables for which I prepared musical accompaniment. For instance in the process of work with the fable “ A shrimp” I was thinking for a long time what musical accompaniment to choose for the topic. Music has to express the meaning of the fable.
Then I realized that it has to stay in the form of jazz and for performing this fable I took the best known, outstanding jazz melodies.
For instance in the fable “Oil” I thought of how the music could accompany the dreams of an oil tycoon the hero of this fable and decided that it should be “Bolero” by Ravel.
I am also doing a projects with super russian actor as Evgeny Knyazev “Casanova” by Marina Tsvetaeva and “ Confession” by Maxim Gorky with Dmitry Dyuzhev. Well in general I will be very happy to see acquaintances and friends in the »Dom Aktera» — The Moscow House of Actors, where I spend my special evenings. That is where music and words do merge.
Generally speaking unification of my cello sounds and the voice of the favourite and popular singer Tamara Gvardtsitelli is unique and magical. Wherever we have performed and whatever musical pieces we have performed people froze and were captivated by the music. We created a whole show on a very high international level.
Tamara plays the piano, organ, recites poems and sings in many foreign languages. We have already shown a programme “and the God created a woman” in Moscow, St Petersburg, Tbilisi, Batumi, Baku and Krasnodar.
Timbre of Tamara’s voice resembles the Stradivari violin.
It is impossible to mix it with something else. It is uniquely beautiful and creates a deep emotional response in listeners. It is hard and practically impossible to explain it with words. One has to come to the concert and listen! This is perfect program for whole world.
Today I am seeing domination of pop music. It does happen very often when the so called “star” bears no relationship to music. It simply happens in Russia. People become popular by luck not because they are talented.
For instance a person is travelling by train playing the guitar, drinking vodka and there is a random travelling companion who happens to be an enterprising producer and so the person sings and plays the guitar and this song becomes popular in the country. It is either very positively accepted by the general public or on the other hand it is sometimes disliked. One does not have to know Prokofiev music or Mahler’s symphonies and even more so to distinguish between the music by Franck from the composer Debussy. Now there is such a period of time in Russia when any person who starts singing is considered to be a musician. My choice is simple. For instance I want to do the project and it is interesting. I attempt to do it and I do it. Therefore I play my cello from time to time in utterly unusual projects and places in which the cello had not yet been heard before. These projects are interesting and out of the ordinary.
These things are interconnected. TV is selling you to general public and TV viewers want to see you on TV.
Times are changing and when the concert is filmed then it is a celebration for everybody. Without doubt it is necessary and important for everybody. I took part in large scale projects which are designed for wide audience and it was always interesting and became a fine performance beautiful and emotionally colored. In the overall scheme of things I ultimately want to attract attention to my art.
I recently thought of the title “Cello- Bayan revolution”
because we are undertaking something new and unique in music which in reality has a revolutionary meaning. Once the great Rastropovich was forced to play under the accompaniment of the accordion when touring in Siberia because there was no grand piano. Later Rastropovich recollected that to play under the accompaniment of an accordion is like playing under the accompaniment of a mini organ.
Our programme with Aydar Gaynillin has to an extent a distinctive quality of musical worship and pays tribute to a legendary maestro Rostropovich.
Aydar is a composer and in our project we have many musical pieces with Bach, Gluck, Chopin and Saint-Saens.
We are performing as a duet or with an orchestra. On top of that I try to create something resembling a concept of our theatre.
We already performed in a theatre production as a duet in the House of Music — Moscow, at Platonov Arts Festival in the city of Voronezh, at The Berliner Philharmonie and in the mexican city of Monterey.
There is a new CD coming soon for the new programme “ Cello Tango” together with an orchestra “ Paporotnik” (translated — fern).
The music is absolutely different. It is classical and it is jazz and these are world famous hits and all that has tango as an underlying theme. At some point in time at the peak of our mega drive I am thinking of how we can stop our train under the name of «tango express».
When making a new record we added musical associative row and vocal. When the record comes out the audience can expect many surprises.
We are planning to tour Russia and hope that everything will come out all right. I definitely know one thing we have something to say from the stage. I wish we had strength for everything.
Well we find the time to work on the new project. I am thinking of different combinations of music so that we could perform with a group of musicians who play tango music.
Our accordion player is an excellent composer and we play many of his pieces with the accompaniment of my cello and we use a new style in performing the melodies. All that makes it slightly different and I am anxiously waiting when our new disk comes out and hope that it will be loved and turn out to be in the set of most beloved records among our listeners and readers.
You always have to be ready for success!
One has to find one’s place in life and understand who you are. One has to work with love for whatever vocation one has been born for.
And if I have to be completely honest I want to say that you have to work hard on your desired creative path of life for which the God will Thank you. One has to treasure every minute of one’s life. You have to live so that you will not feel ashamed for everything you have done in life.
My dear readers! The cello is the most sensuous instrument which can transmit any human emotion and if you see Borislav Strulev in this or that musical trend I can guarantee you that this project will not leave you indifferent and will help you to experience a feeling of unification with sound and possibly will make you somewhat happier.
I want to give you a piece of advise
Do not be lazy and attend concerts. Go to a concert enjoy and discover something new in music. I would like to also ask you about a small but important thing in everyone’s life.
Help each other to live. This is an integral part of happiness.
It could be a smile to a stranger. It might be showing mutual respect among car drivers. these could be other small things og showing kindness and attention to your fellow citizens
For example:” Let’s try not to be shy and say Zdravstvujte” “Hallow”, with a smile to our neighbours. “One has to be kinder and live in such a manner so that our mood would change for the better!” as my genious friend Evgeni Grishkovetz says!
Cellist Borislav Strulev, whose dynamic playing and performance style is usually associated with flamboyant virtuosity backed up by a masterful sound all his own — the equivalent of musical fireworks. Here, in contrast to his reputation as a soloist, his singular tonal quality is one of consistent restraint and generosity to his accompanist, pianist Sergei […]
Was it a childhood dream boy — a musician in the third generation, from childhood accustomed to discipline and many hours of exercise on the cello, accompanied by his grandmother every day, and then his mother to attend music school, to make run with the Olympic flame? Hardly. But the famous cellist Borislav […]
Borislav Stulev. Photo: Sergei Moskalev, Русская служба «Голоса Америки» GOLOS AMERICA 04.03.2015 19:44 Cello Monster or The string Goliath Sergey Moskalev: Borislav, we are acquainted for a long time, almost from the time, when the famous pianist Byron Janis, you made your debut with, said: «Look at this young man (it’s about you). He plays […]
Helsingborgs Dagblad 9, November 2002. Helsingborg Symphony Orchestra Conductor Sebastian Weigle … Borislav Strulev was the guest soloist for the evening (Gabriel Fauré’s Elegie) and showed that even short pieces can give greatest satisfaction. Strulev controlled with perfection the power of the piece. The result was an exquisite music making with excellent balance between the […]
Versterbottens – Kuriren – Sweden 11. May 2002. When we speak about the good, better, and the best from that evening, Hindemith’s cello sonata in masterful and powerful performance by Borislav Strulev came as a winner on the highest level of this scale. This explosively concentrated and artistically complete artist gathered one success after another […]
Västerbottens Folkblad – Sweden 15. May 2002. The main characteristic of Strulev — his cello sound. Crystal clear and clean, everything in his performance breathes musicality. I was especially impressed with his vibrato, as usually musicians use this effect exaggeratedly. Strulev vibrates with such sensitivity and uses his vibrato only in the right places, that […]
Västerbottens – Kuriren – Sweden 17. May 2002. Friday’s lunch concert became for me the greatest event of the ongoing chamber music festival. Performers were cellist Borislav Strulev and pianist Alexander Markovich — both incredible chamber musicians. …The sound of the cello was unbelievably beautiful, so rich with shades and painted with colorful spectrum, that […]
Vasterbottens – Kuriren – Sweden 14. May 2002. One of the highest points of the year…… I have to admit that tears came out of my eyes at the end of Tchaikovsky trio… …The three musicians created probably one of the most memorable moments of the year-absolutely brilliant concert… …Combination of Borislav Strulev and Alexander […]
La voz de Asturias — Spain 6. May 2001. Outstanding virtuosity on the cello The Variations on a rococo theme of Tchaikovsky appeared in the second half with an amazing cellist — Borislav Strulev. The orchestra began in purest gallant style with the cello entrances at certain places giving an impact of its absolutely evocative […]
La Nueva España — Spain 6. May 2001. A Surge …” and from the contemporary music we had a contrast in Tchaikovsky’s most famous Variations on a rococo theme for cello and orchestra. The eight variations that the cello develops after the theme in the orchestra require a performer of great importance — a virtuoso; […]
Kölner Stadt Anzeiger — Germany 6. April 2001. WDR Sinfonie Orchester under Neeme Jarvi Bouncy Dances …” Peter Tchaikovsky hoped for a relief of his depressive mood with reflection on Mozart in his variations on the Rococo theme op.33 for cello and orchestra. The accompaniment has a secondary role only; the soloist is quite in […]
Bonner Generalanzeiger — Germany 8. April 2001. Tchaikovsky’s ‘’Variations on a Rococo theme” with their romantic content yet in Mozart’s late rococo style presented a conceivably great contrast to the brisk Martinu. The young Russian cellist Borislav Strulev mastered with superior style and the virtuosic finesse of Tchaikovsky’s work. The power of his playing expressed […]
Kölnische Rundschau — Germany 7. April 2001. A Sensitive and Fiery Finale …” The young cellist Borislav Strulev devoted himself in a carefully illuminated and dynamically finely colored and sensitive interpretation of Tchaikovsky’s Rococo variations. The ensemble with the individual orchestra members was finely achieved and the cellist with secure and clean intonation let the […]
Västerbottens Folkband — Sweden 17. March 2001. Cellist Borislav Strulev played the Walton Concerto with mutual inspiration and devotion …. And also the Walton concerto was played with grace and magician power. Russian-born cellist Borislav Strulev played with evident presence. I listen to this concerto with difficulty because it usually feels like an amplifier for […]
Kaleva — Finland 5. February 2000. STRULEV IS A GENUINE ARTIST The picture of the young musician named Borislav Strulev became even more precise. In the chamber concert of Sunday the 23 -years old cellist appeared to be an interpreter without hesitation with the impetuosity of youth and with the strong temperament. On Thursday in […]
Kaleva — Finland 1. FEBRUARY 2000. WILDNESS AND VISION OF YOUTH There seems to be a new line in the chamber music concerts this spring. Instead of the musicians of the Oulu Symphony Orchestra they have engaged visiting artists. The cycle was begun on Sunday with a concert of a young Russian cellist star, Borislav […]
CAPE TIMES — South Africa 4. November 2000. STRULEV MAKES CELLO SING AT 24, Russian cellist Borislav Strulev is a master of his instrument, but also an eloquent musician and one who feels a deep emotional involvement in everything he does. The audience cheered as his cello was made to sing, sigh, laugh and dance. […]
The Mercury — South Africa 13. November 2000. Musical fireworks … “A very youthful 24-year-old Strulev impressed greatly with his performances of Saint-Saens’s Cello Concerto No 1 and Tchaikovsky’s Pezzo Capriccioso, and indeed, it was something of a bonus to have heard him twice in the programme. Fiery, rhythmic vitality and virtuosity, and full warm […]
San Francisco Chronicle 15. February 2000. California Symphony /Barry Jekowsky: Lou Harrison Suites for cello and Orchestra Tchaikovsky Variations on a Rococo theme “The 23-year-old Russian boasts an enormous, gripping sound, full of bright colors and effortless power; when he plays he commandeers the sonic spotlight with ease.”
NEW YORK POST 3. November 1999. At CARNEGIE HALL with BYRON JANIS The three facts probably best known about the pianist Byron Janis are that he has long been associated with the music of Chopin, that he studied for several years with Vladimir Horowitz, and that his career suffered setbacks due to illness, particularly arthritis, […]
The New York Times 6. April 1999. John Taverner “Svyati” for solo cello and choir Spirituality as a Composer’s Driving Force “Borislav Strulev, the cello soloist, played with a rich, singing tone and conveyed a sense of the line’s devotional shape.”
Chicago Tribune 12. October 1999. ‘… the high point of the concert was not [pianist Byron] Janis performing alone but his collaboration with a protégé of his, Borislav Strulev, in [Chopin’s] g-minor Cello Sonata. The 23-year old cellist from Russia played with a brawny tone and sure technique, and he seemed to have lit a […]
La Maurienne – France 1999 “Borislav Strulev is only 22 years old but possesses an immense talent. In his case, virtuosity does not wait for the weight of years… Strulev, with an almost religious stillness, cast a spell with his music. With grace, power and even sense of suffering, he gave his cello a soul… […]
Barometern – Sweden 1999 “Russian-born Borislav Strulev turned out to be an immensely enjoyable acquaintance, displaying an intense and powerful personality that captured a house filled to capacity… [Chopin’s] superb treatment of the sonata form found an ideal interpreter in last night’s soloist. Strulev’s mastery of his instrument produced a beautiful tone, but just as […]
Ostra Smaland – Sweden 1999 “The concert at Kalmar Castle offering a true tour de force, a demonstration of power, temperament and identification. Borislav Strulev’s affinity with the music he plays makes the experience almost a physical one. In Chopin’s Cello Sonata, the cellist gave full justice to the music’s wealth of nuances, weight and […]
Daily News of Japan 15. January 1998. Audience charmed with splendid cello tone Borislav Strulev’s cello recital took place at Kanazawa City Art Hall on January 14. The audience was overwhelmed by this young artist. He produced a gorgeous sound, rich and elegant like an opulent human voice, secure in every register. The program consisted […]
The Reno Gazette — Journal 26. November 1998. Guest artist serves up delicious cello work … Guest artist Borislav Strulev performed brilliantly in Haydn’s Cello Concerto in C-major, a finely crafted work that, like freshly baked bread can nourish the soul. Strulev’s musicianship generated an appreciative response from the orchestra, trimmed to chamber size for […]
El Norte — Mexico 25. March 1998. Audience admires the great technical and communicative qualities of the cellist, Borislav Strulev in Auditorio San Pedro To listen to Borislav Strulev is to experience a passion for music that is out of the ordinary. His powerful sound has purity and flexibility. His impassioned temperament is intimately joined […]
Sierra Madre El Norte — Mexico 11. April 1998. Miracle Cellist In the light, amidst the antique chandeliers…. from the first notes, everyone understood they were in the presence of a world-class artist, the cellist – Borislav Strulev. Borislav’s music reclaimed the greatness and nobility of the world it summarized and seemed to dwell in […]
Bangor Daily News 10. November 1997 Bangor Symphony Orchestra – Rococo Variations “… it included guest cellist, Borislav Strulev, whose performance of Tchaikovsky’s Variations on a Rococo Theme, opus 33, was so glowing and giving that he made the romantic work seem as if it were one of the greatest pieces of music ever written […]
The Star — South Africa 26. June, 1997. Borislav Strulev plays with heart and mind Music is far more than pure sound. It should evoke images and lasting feelings. Only a musician who plays with heart, mind, soul and body can achieve this. Borislav Strulev, a 21-year old Russian cellist, has a frighteningly unreal talent: […]
Star Bulletin — Honolulu 28. October 1996. Young cellist richly stirs concerto A refreshing pair of young artists led the Honolulu Symphony Orchestra in a bracing concert yesterday afternoon. Guest conductor Michael Stern and cellist Borislav Strulev Sparkled in a delightful program of Haydn, Rachmaninoff and Stravinsky. The hands-down highlight was Strulev’s stellar performance of […]
Eastside Week — Seattle 2. April 1996. Bellevue Philharmonic Orchestra …”Most exciting, however, was the local debut of the young Russian cellist Borislav Strulev, playing Lalo concerto. Strulev sounds like a 30-year old veteran of the instrument; at 19, he has had a wide solo performing experience in Russia, and it shows in the presence […]
The Longboat Observer – Florida 5. February 1996. Recital at Van Wezel Hall When young Borislav Strulev strode onto the Van Wezel stage on February 5 and began drawing his bow vigorously across his cello strings, my immediate reaction was: wow! And for the entire evening of his recital, I can state that I have […]
Chicago Tribune 16. October 1994. STRONG HAND Chicago Sinfonietta The Chicago Sinfonietta opened its eighth season Wednesday in a poker player holding a straight flush. For its Orchestra Hall concert it had a strong conductor, Paul Freeman; two powerful soloists, cellist Borislav Strulev and pianist Leon Bates; and the orchestra itself… The 18-years-old, Moscow-born Strulev […]
CHICAGO SUN-TIMES 13, October 1994. Sinfonietta Opening Highlights Hard Work …Freeman scheduled not one but two concertos, adding the Saint-Saens Cello Concerto with an astonishingly gifted, 18-years-old Russian cellist Borislav Strulev, in his U.S. orchestra debut. …Freeman was conducting Moscow Philharmonic last season when he first heard Strulev, and the teenager is a real find. […]
La Nouvelle Republique du Centre-Ouest – France 23. June 1992. Château d’Artigny -THE REVELATION OF BORISLAV STRULEV- Five years after Kissin, Repin and Vengerov a new young prodigy is revealed: Cellist Borislav Strulev. From the first sounds produced by his bow it was understood that he has a lot to say and astonishing means of […]
Interview with cellist — Borislav Strulev by Katerina Goltcman
Borislav Strulev: I thouhgt «Should i stand through my life?’’ And said: «I choose the chair!» A Cello Chair!!! Magazine from St. Petersburg «The Conkurent» had a talk with the famous Russian/American cellist Borislav Strulev. You can simply say about him: «insanely talented and internationally famous», but Borislav Strulev doesn’t like pomposity and excessive pathos. […]
Струлёв Борислав: «Люди нуждаются в культуре и хотят, чтобы она всегда была рядом!» Strulev Borislav: «People need culture and want it always be near» Foreign economic relations, the official site of the magazine «»Foreign economic relations of Russia» Borislav Strulev’s name flunts on posters in different countries along with musical stars of classical, […]
http://www.bel.ru/news/olymp/2013/12/05/83820.html — Борислав, Вы родом из Москвы, живёте в Нью-Йорке, но пронесёте олимпийский огонь по улицам нашего города. Что Вас с ним связывает? — Наш с вами фестиваль – официальный участник культурной Олимпиады «Сочи 2014». Мы будем представлять великое культурное богатство России, вовлекая каждого россиянина в грандиозный праздник и представляя всё самое лучшее гостям игр. […]
Блуждающие звезды В 1977 году Юрий Темирканов вместе с лондонским Королевским филармоническим оркестром записал для знаменитой EMI Вторую симфонию С.В. Рахманинова. Он настолько удивил искушенных музыкантов, что они решили добиться его возвращения в оркестр чуть ли не любой ценой. И Темирканов в самом расцвете брежневского застоя стал главным приглашенным дирижером этого коллектива. Кроме него в […]
http://www.russianspain.com/news/article6506.html Борислав Струлев: «Виолончель — это не страшно и не скучно» Всемирно известный виолончелист готовит сюрприз на Русском Благотворительном Балу в Марбелье “Универсальный мультистилист”, “ренессанс-мэн”, человек мира с широкой русской душой, — так эксперты пишут о виолончелисте Бориславе Струлеве. Легендарный американский пианист Байрон Дженис сказал о Бориславе: “Посмотрите на этого молодого человека, а что гораздо […]
http://greencityreview.ru/style/80-zeljonyj-weekend-v-nyu-jorke-s-borislavom-struljovym Зелёный Weekend в Нью-Йорке с Бориславом Струлёвым Борислав Струлёв – выдающийся русско-американский виолончелист исключительного темперамента и техники, музыкант безудержной энергетики и драйва, один из первых начавший исполнять джаз на виолончели, живет и работает между Нью-Йорком и Москвой. Он универсальный мультистилист, ренессанс-мэн – исполнивший практически весь классический репертуар для виолончели и объездивший с ним все […]
Когда я пришел в «сердцу милый» джаз-клуб Bird Land на 44-й улице Манхэттена и увидел ход подготовки к гала концерту «От классики к джазу», посвященному 35-летию теперь уже мне знакомого виолончелиста Борислава Струлева, понял, что гала состоится, а вот джем сейшн — вряд ли. А ведь накануне в нашей беседе Борислав обещал как-то соединить одно […]
Музыкальный фестиваль «Звезды на Байкале» открылся 8 сентября в Иркутске сольным концертом Дениса Мацуева, идейного вдохновителя и художественного руководителя смотра. Известный пианист прибыл на свою родину со звездным сопровождением. С ним – оркестр «Виртуозы Москвы» под руководством Владимира Спивакова, биг-бэнд Георгия Гараняна, органист Гарри Гродберг, виолончелист Борислав Струлёв и оперная певица Хибла Гирзмава. В год […]
21 августа исполняется 35 лет звездному музыканту, который первым начал играть на виолончели джаз и записывать с ней саундтреки к фильмам и ситкомам «Труду» Борислав рассказал, что побудила его, академического исполнителя, стать шоуменом. — Наверное, день рождения отметите концертом? — Да, он состоится прямо 21 августа в историческом месте — нью-йоркском клубе «Бердленд», где когда-то […]
Поздравить театр пришел и президент России Владимир Путин, который отказался от предназначенной для высоких гостей ложи Годо и выбрал место в восьмом ряду партера. Обошлись без обычных в таких случаях длинных официальных речей. После шутливого приветственного слова Александра Калягина начался концерт для друзей. Открылся он необычным и очень эффектным шоу машинерии сцены: под экспрессивную музыку Шостаковича […]
«Человек, имеющий ежедневные отношения с классической музыкой, в какой-то момент неминуемо проникает в суть прекрасного — в том числе и в отношении одежды…»
В эти дни в Москве проходит музыкальный фестиваль «Crescendo». Сегодняшнее выступление на фестивале одного из лучших виолончелистов планеты Борислава Струлева должно стать настоящим событием для культурной жизни столицы. Музыкант не играл в Москве уже 10 лет! Сегодня он примет участие в Джазовом концерте (в Концертном зале имени Чайковского) вместе с Денисом Мацуевым и Государственным камерным […]
«Музыкантом высоких оборотов, лучшим виолончелистом планеты называют Борислава Струлева музыкальные критики мира. Его исключительный темперамент и техника поражают, а обаяние и невероятный звук завораживают и очаровывают зрителей всех известных сцен мира…»
Своими учителями Борислав Струлев называет Мстислава Ростроповича, Йо-Йо-Ма, Марту Истомин-Казальс, Давида Герингаса, Валентина Берлинского. С одним из ведущих виолончелистов мира беседовала корреспондент «Недели» Елена Калинина. Неделя: Вы очень много играете новаторский, неклассический репертуар. Борис Струлев: Да, это и тандем с Гришковцом, и выступление с группой “Ума Турман”, с Тамарой Гвердцители придумали новый дуэт — “И […]
Борислав Струлев, исполнитель музыкальной партии в фильме Бессона, примет участие в фестивале «Crescendo»…
Предпоследний день фестиваля «Crescendo-2009» в Пскове оказался, наверное, самым разнообразным. К музыкантам присоединились театральные артисты. Вернее сказать, они к ним не присоединились, а играли отдельно, в пяти минутах ходьбы друг от друга. Таким образом, любителям музыки и театра пришлось разрываться между Большим концертным залом Псковской областной филармонии и Псковским академическим театром драмы. В филармонии играли […]
— Как виолончелист, я работаю в очень разных направлениях, — говорит Борислав Струлев, – от классики, джаза и до поп-музыки, играю на самых значительных сценах мира.
Критика наградила его целым рядом эпитетов: «виолончелист высоких оборотов», «монстр струнный», «музыкант исключительного темперамента и техники», «один из лучших виолончелистов планеты»… И это все о нем, Бориславе Струлеве. Сергей Москалев: Борислав, ты давал интервью «Голосу Америки» лет пять назад. Что сейчас у тебя? Некоторые критики уверяют, что твой друг-мегазвезда классический пианист Денис Мацуев и ты […]
Премьера программы виолончелиста Борислава Струлева «MIX Египетских пирамид» состоялась 15 декабря в рамках фестиваля «Magic Mix» в особняке приемов и торжеств Петра Смирнова.
9 декабря состоялась ХI ежегодная церемония вручения премии в области развития гостиничного комплекса города Москвы «Хрустальная ладья — 2005″.
Борислава Струлева называют одним из лучших виолончелистов планеты. А его дебют в нью-йоркском Карнеги-холле с легендарным пианистом Байроном Джайнисом, когда они вместе исполнили Сонату Шопена, критики назвали сенсационным.
Молодой, но уже хорошо известный виолончелист Борислав Струлев покорил не только слушателей всех знаменитых концертных залов мира, но и особую публику — участников прошлогодней церемонии вручения премии «Хрустальная ладья»…
3 октября 2005 года Госоркестр принял участие в праздновании Дня города, выступив на двух фестивалях. Это I Международный фестиваль «Музыкальный квартал», который, по идее организаторов, должен стать ежегодным и будет проходить на самых «музыкальных» улицах Москвы — Большой Никитской и в Брюсовом переулке. Сама история создавала год за годом музыкальный квартал. Здесь расположен Московская консерватория […]
Звезды устроили модное дефиле и остались равнодушны к итальянскому кинематографу Ксения Иванова 18 июня 2005 В пятницу вечером в столице открылся XXVII Московский международный кинофестиваль. Торжественную церемонию посетили отечественные «звезды»: Федор Бондарчук, Ольга Орлова, Лидия Федосеева-Шукшина, Людмила Гурченко и другие. На премьеру фильма конкурсной программы ММКФ «Желанная жизнь» остались немногие. Большинство почетных гостей разбежалось сразу […]
На днях завершился фестиваль Crescendo, который придумал известный музыкант, победитель последнего Конкурса им. Чайковского Денис Мацуев. Идея Crescendo – представить широкой публике новое поколение русской исполнительской школы. Открытием для московской публики стал Борислав Струлёв – музыкант яркий и неожиданный. Выпускник Центральной музыкальной школы в Москве, а затем – Манхэттенской школы музыки в Нью-Йорке, он уже […]
Borislav Strulev premiered it in Sweden in June, and now the concerto has found its way to Milwaukee. Strulev played the U.S. premiere here Friday, with guest conductor Miguel Harth-Bedoya and the MSO.
Борислава Струлева в Иркутск на самый первый фестиваль классической музыки «Звезды на Байкале» привез наш знаменитый земляк Денис Мацуев. С тех пор участие одной из лучших виолончелей современности в фестивале является обязательным. Хотя уже более 15 лет музыкант живет в Нью-Йорке, гастролирует по всему миру, выступая в лучших концертных залах с самыми знаменитыми мировыми оркестрами. […]
Концерт В. Волтона был сыгран на высочайшем уровне. Выходец из России, виолончелист Борислав Струлёв играл с невироятно сильной концентрацией. Обычно мне тяжело воспринимаь этот концерт, поскольку он в основном ощущается, как дополнитель к “иго” для талантливых виолончелистов, но Струлёв увлёк нас в ослепительных солистских вспышках и оттенках, особенно легатные места имели ту лёгкость, которая требуется […]
“Виолончелист Борислав Струлёв наэлектризовал зрителей.” — Написал Пер-Инге Планефорс Не меньше, чем 3.500 оборотов в минуту. Я конечно имею ввиду феноминально одарённого и музыкально целеустремлённого виолончелиста – звезду Бориславa Струлёвa. Он сыграл необыкновенно успешный концерт. Он совершенно наэлектризовал многочисленную аудиторию полным фантазии концертом Вильама Волтона, написанного в 1956 году. Фрагмент памяти, который вызвал метафору “3.500 […]